ART 352 : Faith & Art

The tension between Christianity and the arts is often real. But it also offers a false dichotomy. Many Christian artists think that they must choose between their faith and their artistic calling. Drawing upon his experiences as both a Christian and a practicing artist, Cameron J. Anderson explores the dynamics of faith and art in this latest volume in IVP Academic's Studies in Theology and the Arts series. Tracing the relationship between evangelicalism and modern art in postwar America--two entities that often found themselves at odds with each other--Anderson raises several issues that confront artists.

In Making Good , Trevor Hart argues that human creativity is always a matter of unfolding the possibilities already latent within the original creative event. Making Good contends that while humans must acknowledge the unique and incomparable dimensions of God's creative activity, the biblical theology of creation encourages rather than prohibits human creativity within a language of creation. Hart's basic contention is that the God known as the Father of Jesus Christ is no domineering deity who jealously seeks to protect his creative prerogatives, but one whose own creativity calls forth, inspires, and enables creative responses on the part of his human creatures.

Tikkun Olam--To Mend the World is premised on the conviction that artists and theologians have things to learn from one another, things about the complex interrelationality of life and about a coherence of things given and sustained by God. The ten essays compiled in this volume seek to attend to the lives, burdens, and hopes that characterize human life in a world broken but unforgotten, in travail but moving towards the freedom promised by a faithful Creator. They reflect on whether the world--wounded as it is by war, by hatred, by exploitation, by neglect, by reason, and by human imagination itself--can be healed. Can there be repair?

Drawing from his experiences performing Mozart, playing "dive bars", and leading worship and the arts in the church, author Manuel Luz seeks to answer the questions that artists often ask. Laced with humorous and sometimes poignant anecdotes, Imagine That is a thought-provoking journey through the convergence of art and faith. Luz has been a working musician, writer, pastor, and even amateur cartoonist for more than 40 years, and in Imagine That he lays out his case for a uniquely Christian approach to the vocation of artist, using theologically rich and artist-friendly language

Taking vigorous issue with the pervasive Western notion that the arts exist essentially for the purpose of aesthetic contemplation, Nicholas Wolterstorff proposes instead what he sees as an authentically Christian perspective: that art has a legitimate, even necessary, place in everyday life. While granting that galleries, theaters and concert halls serve a valid purpose, Wolterstorff argues that art should also be appreciated in action -- in private homes, in hotel lobbies, in factories and grocery stores, on main street.

Art in Service of the Sacred encourages congregations to take seriously the role of visual art in worship and in the broader life of the church. This rich resource explores the dynamics between art, artist, and the church. It proclaims the power of art when used as art, reclaims the presence of religious symbols in worship, asserts the importance of the aesthetic dimensions of ecclesial space, and recovers the role of visual art to engage our senses and imaginations as we seek to encounter God in our lives.

In this classic book, Madeleine L'Engle addresses the questions, What makes art Christian? What does it mean to be a Christian artist? What is the relationship between faith and art? Through L'Engle's beautiful and insightful essay, readers will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to creation through one's own art.