ENG 446: Fiction of Lewis & Tolkien

Part 1 of this volume introduces instructors to the rich array of resources available for teaching Tolkien, including editions and criticism of his fiction and scholarship, historical material on his life and times, audiovisual materials, and film adaptations of his fiction. The essays in Part 2 help instructors introduce students to critical debates around Tolkien's work, its sources, its influence, and its connection to ecology, religion, and science.

Here is a book that mines the gold from Middle-earth, both for long-time fans and for those just getting acquainted with Tolkien and his universe.

Understanding The Lord of the Rings: The Best of Tolkien Criticism is the definitive collection of essays on Tolkien's masterpiece. The essays span fifty years of critical reaction, from the first publication of The Fellowship of the Ring through the release of Peter Jackson's film trilogy, which inspired a new generation of readers to discover the classic work and prior generations to rediscover its power and beauty. Fans and scholars alike will appreciate these important, insightful, and timely pieces.

In this text, Michael Stanton offers an encounter with The Lord of the Rings, and delves critically into the richness of the story. Stanton embarks on an exploration of Tolkien's genius, painting a critical portrait of the world he created.

Includes relevant chapter: "The Lord of the Rings"

Matthew Dickerson investigates the importance of free will and moral choices in Tolkien's Middle Earth, where moral victory, rather than military success, is the "real" story. He explores Christian themes throughout, including salvation, grace, and judgment. Following Gandalf will delight veteran Tolkien fans and offer new fans an impressive introduction to his major works. Engaging and theologically thought-provoking, it will interest pastors, students, seminarians, and layreaders.

This book provides a comprehensive, informed, critical and theoretical analysis of The Lord of the Rings, both the book and film trilogies. The book is organised in four thematic sections.

Includes relevant chapter: "Post-Classical Fantasy Cinema: The Lord of the Rings"