ENG 222 & 322: Canadian Literature: A Guide to Indigenous Canadian Literature

Tomson Highway's From Oral to Written is a study of Native literature published in Canada between 1980 and 2010, a catalogue of amazing books that sparked the embers of a dormant voice. In the early 1980s, that voice rose up to overcome the major obstacle Native people have as writers: they are not able to write in their own Native languages, but have to write in the languages of the colonizer, languages that simply cannot capture the magic of Native mythology, the wild insanity of Trickster thinking.

From his legendary birth in a snow bank in northwestern Manitoba, through his metamorphosis to citizen-artist of the world, playwright, pianist, polyglot, storyteller, and irreverent disciple of the Trickster, Tomson Highway rides roughshod through the languages and communities that have shaped him. Cree, Dene, Latin, French, English, Spanish, and the universal language of music have opened windows and widened horizons in Highway's life. Readers who can hang on tight-Highway fans, culture mavens, cunning linguists, and fellow tricksters-will experience the profundity of Highway's humour, for as he says, "In Cree, you will laugh until you weep."

A series that sets out to make the best critical and scholarly work readily available.

Ernestine Shuswap Gets Her Trout is a ritualized retelling of how the Native Peoples of British Columbia lost their fishing, hunting and grazing rights, their lands, and finally their language without their agreement or consent, and without any treaties ever having been signed. It is one of themost compellingly tragic cases of cultural genocide to emerge from the history of colonialism, enacted by four women whose stories follow each other like the cyclical seasons they represent. Written in the spirit of Shuswap, this play is haunted by the blood of the dead spreading over the landscape like a red mist of mourning.

Born into a magical Cree world in snowy northern Manitoba, Champion and Ooneemeetoo Okimasis are all too soon torn from their family and thrust into the hostile world of a Catholic residential school. Their language is forbidden, their names are changed to Jeremiah and Gabriel, and both boys are abused by priests. Estranged from their own people and alienated from the culture imposed upon them, the Okimasis brothers fight to survive. Wherever they go, the Fur Queen--a wily, shape-shifting trickster--watches over them with a protective eye. For Jeremiah and Gabriel are destined to be artists. Through music and dance they soar.

One Rose has recently become chief of the reserve, a woman who must fight constantly to keep her position and maintain the integrity of her native culture. Another Rose died seven years earlier in the saddle of her Harley while on her glorious, but grievous journey to women's liberation. The third Rose never even had a chance to be born. Emily Dictionary and some of her female biker pals take centre stage when Big Joey enlists the Sudbury Mafia to help with his plans to open a multi-million dollar dream casino in the women's cherished Community Hall on the Rez.

Comparing Mythologies addresses the ways that Canadian culture today is shaped by the mixture of Aboriginal and Western mythologies.

Winner of the Dora Mavor Moore Award for Best New Play Nominated for the Governor General's Award This award-winning play by Native playwright Tomson Highway is a powerful and moving portrayal of seven women from a reserve attempting to beat the odds by winning at bingo. And not just any bingo. It is THE BIGGEST BINGO IN THE WORLD and a chance to win a way out of a tortured life. The Rez Sisters is hilarious, shocking, mystical and powerful, and clearly establishes the creative voice of Native theatre and writing in Canada today.

Deals with substance abuse, suicide, Shamattawa, Hobbema, land claims, reserves and the criminal justice system.